Multiverses

The concept of an alternate universe always felt abstract to me. Until the pandemic.

 

Over the seasons that my family spent waiting for it to be safe again, I took photographs of nature on my street and in the nearby woods. I went places I could reach easily on foot, never too far from home. Then, back in my studio, I painted canvases with fierce colors and strokes, then photographed those paintings. In Photoshop, I combined my photographs of nature and of my paintings, creating fantastical layer upon layer. The final step, digital drawing, involved scraping away one layer to reveal the other underneath.

 

Multiple layers were like the inklings of one universe refracting through another. The resulting compositions have an urgent energy that I now recognize, looking back, as the friction between a personal landscape that was deep with grief and the vibrancy of the imagined life I longed for and missed. 

 

I’ve continued to work on this series in the years that have followed, particularly in times of personal and societal upheaval, fueled by a sense of dissonance between what is and what could be.